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Norman Harris of Norman’s Rare Guitars reveals cancer diagnosis
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EVH releases gold edition of Wolfgang WG Standard series
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“It’s fun to write big and dumb”: Halestorm talk simplifying their shredding on Back from the Dead
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Features
“I can’t call this art! I wrote everything in my fucking underwear!”: Bonnie Fraser on Stand Atlantic’s new album, f.e.a.r.
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“Music is what keeps me supported, craft is what keeps me hungry”: Luthier Daisy Tempest on dedicating herself to one model and realising her...
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Music
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Fredric Effects Nouveau Super Unpleasant Companion review: An uncompromising multi-fuzz pedal for channelling your inner rage
Electric Guitars
The Big Review: B&G Helena – Israel’s great boutique builder takes an unconventional turn
Music
The Genius Of… Fuck With Fire by Planes Mistaken for Stars
Effects
Electro-Harmonix Nano Pulsar review: Is this the best-value stereo tremolo pedal ever?
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Guitar.com’s Riff Of The Decade: vote for the best guitar riff of the 2020s so far
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The best electric guitars to buy in 2022: 12 best single-pickup guitars
Essential Guides
Muse’s 10 greatest guitar moments, ranked
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A Brief History of Martin Guitars
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Chord Clinic: Learn to play 10 interesting D minor chord variations on guitar
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Chord Clinic: Learn to play 10 interesting F Major chord variations on guitar
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An Introduction to alternate tunings: Advanced alternate tunings for electric guitar
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Al Kooper
Music
The Genius Of… Super Session by Mike Bloomfield, Al Kooper and Stephen Stills
14th October 2020
In 1968, two Dylan collaborators and a future Laurel Canyon superstar were at a loose end, so they booked some studio time in LA and improvised a freewheeling blues-jazz blueprint for the supergroup-on-record concept.
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