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MXR puts Tom Morello’s tone in a box with the Power 50
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The January 2022 issue of Guitar Magazine is out now!
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Megadeth has launched their official cryptocurrency because why not, it’s 2021
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Fuzz Was The Future: Satisfaction Guaranteed
Features
“I’ve always considered Howlin’ Wolf the heaviest of the blues giants”: Warren Haynes on adapting blues classics for their new LP, Heavy Load Blues
Features
“The Heartbreakers was a band full of love”: Mike Campbell on life without Tom Petty, and revisiting his secret surf record 20 years on
Features
Larry Carlton and Johnny Farina on how Santo & Johnny changed instrumental guitar music forever
Reviews
All
Accessories
Acoustic Guitars
Amplifiers
Bass
Effects
Electric Guitars
Music
Vintage
Effects
Walrus Audio Iron Horse V3 review: Rat-like tones with more transparency
Electric Guitars
The Big Review: Sire Larry Carlton H7 & S7 FM
Music
The Genius Of… Today’s Empires, Tomorrow’s Ashes by Propagandhi
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Converge & Chelsea Wolfe – Bloodmoon I review: This is Converge like you’ve never heard them before
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The best Christmas and Holiday Gifts for Guitarists in 2021
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DIY Workshop: How to re-carve a neck profile
Essential Guides
Jargonbuster: Overdrive – how to understand your overdrive pedal
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Chord Clinic: Learn to play 10 interesting A major chord variations
Features
An Introduction to alternate tunings: Advanced alternate tunings for electric guitar
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Learn to play guitar like David Gilmour in five minutes
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James Kennedy
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James Kennedy on his love/hate relationship with life as an unsigned musician
5th February 2021
The former Kyshera bandleader details the gruelling task of staying afloat on the road as an independent act in his debut book, Noise Damage – although it hasn’t deterred him yet.
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