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Brian May on Freddie Mercury’s “fantastical” songwriting: “Underneath, I think he was really pouring his heart out”
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Kurt Cobain’s iconic blue Fender Mustang fetches $4.5 million at auction
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Robert Fripp and Toyah are angels and weirdos in Sunday Lunch cover of Radiohead’s Creep
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Revv Amps Introduces its first signature series pedal, the vintage-sounding Shawn Tubbs Tilt Overdrive
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“It’s fun to write big and dumb”: Halestorm talk simplifying their shredding on Back from the Dead
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“Once we stop thinking and worrying about mistakes, we stop making them!” Perfecto de Castro on the best guitar advice he’s ever been given
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“I can’t call this art! I wrote everything in my fucking underwear!”: Bonnie Fraser on Stand Atlantic’s new album, f.e.a.r.
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Porridge Radio – Waterslide, Diving Board, Ladder to the Sky review: post-punk for the end of the world
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Fredric Effects Nouveau Super Unpleasant Companion review: An uncompromising multi-fuzz pedal for channelling your inner rage
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The Big Review: B&G Helena – Israel’s great boutique builder takes an unconventional turn
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The Genius Of… Fuck With Fire by Planes Mistaken for Stars
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Muse’s 10 greatest guitar moments, ranked
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A Brief History of Martin Guitars
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Chord Clinic: Learn to play 10 interesting D minor chord variations on guitar
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Chord Clinic: Learn to play 10 interesting A major chord variations
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An Introduction to alternate tunings: Advanced alternate tunings for electric guitar
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Music
Brian May on Freddie Mercury’s “fantastical” songwriting: “Underneath, I think he was really pouring his heart out”
Music
Kurt Cobain’s iconic blue Fender Mustang fetches $4.5 million at auction
Music
Robert Fripp and Toyah are angels and weirdos in Sunday Lunch cover of Radiohead’s Creep
Gear
Revv Amps Introduces its first signature series pedal, the vintage-sounding Shawn Tubbs Tilt Overdrive
Features
All
Artist Rigs
Awards
Collections
Galleries
Interviews
Opinion
Features
The Unwritten Future of Guitar: The rise of the multi-scale instrument
Features
“It’s fun to write big and dumb”: Halestorm talk simplifying their shredding on Back from the Dead
Features
“Once we stop thinking and worrying about mistakes, we stop making them!” Perfecto de Castro on the best guitar advice he’s ever been given
Features
“I can’t call this art! I wrote everything in my fucking underwear!”: Bonnie Fraser on Stand Atlantic’s new album, f.e.a.r.
Reviews
All
Accessories
Acoustic Guitars
Amplifiers
Bass
Effects
Electric Guitars
Music
Vintage
Music
Porridge Radio – Waterslide, Diving Board, Ladder to the Sky review: post-punk for the end of the world
Effects
Fredric Effects Nouveau Super Unpleasant Companion review: An uncompromising multi-fuzz pedal for channelling your inner rage
Electric Guitars
The Big Review: B&G Helena – Israel’s great boutique builder takes an unconventional turn
Music
The Genius Of… Fuck With Fire by Planes Mistaken for Stars
Guides
All
Buyer's Guides
DIY Workshop
Essential Guides
Essential Guides
Guitar.com’s Riff Of The Decade: vote for the best guitar riff of the 2020s so far
Buyer's Guides
The best electric guitars to buy in 2022: 12 best single-pickup guitars
Essential Guides
Muse’s 10 greatest guitar moments, ranked
Essential Guides
A Brief History of Martin Guitars
Learn
All
Advanced
Beginner
Intermediate
Beginner
Chord Clinic: Learn to play 10 interesting D minor chord variations on guitar
Beginner
Chord Clinic: Learn to play 10 interesting F Major chord variations on guitar
Beginner
Chord Clinic: Learn to play 10 interesting A major chord variations
Features
An Introduction to alternate tunings: Advanced alternate tunings for electric guitar
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Guitar.com Live
Kaz Alvis
Features
The Wraith are not your average punk band
19th December 2019
Guitarist Kaz Alvis explains why the band are more invested in songwriting most punk groups and how that culminated in the release of their LP, Gloom Ballet.
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