The EBMM artist’s signature model is now available in a 6-string variant with custom electronics, versatile ergonomics and an exquisite buckeye-burl top

”Write the fucking songs! Abbey Road didn't write the songs for The Beatles, The Beatles wrote the songs… they just happened to be at Abbey Road!“

The guitar player doing his utmost to revive the rockabilly sound, he’s already being touted by his peers as the next titan of the Telecaster and now counts Jimmie Vaughan as a label mate.

Seven-minute epic The Witness features new music from Tool band members

A hand-made modern take on expressive fuzz, inspired by vintage David Gilmour tones

Award-Session is a British institution in the field of analogue solid-state amps… but can you really replicate the sound of a tweed Fender Deluxe without valves?

Celebrating a cult UK singles band who rode the wave of the mid-60s musical revolution just long enough to forge a handful of mercurial tracks and showcase the originality and fire of their unique guitarist, Eddie Phillips – a pioneer of the violin-bow guitar and feedback.

The American blues-rocker decamps to Abbey Road in an attempt to make a ‘British’ album, and brings some friends along for the ride.

In part two of our look at the chord shapes and sequences which define Paul Simon’s sound, we focus on his early years as a solo artist.

Continuing our journey through the guitar styles of the legendary Three Kings, this time it’s the turn of Flying V-toting blue icon Albert.

In the final part of his intro to country guitar, Nashville sessioneer David Henricksson puts it all together with a pair of solos to master.

With a long career involving unpredictable twists, turns and collaborations Paul Simon is one of the most successful songwriters of the last 60 years. We take a look at the chord shapes and sequences which define his sound.