The second of Warm Audio’s uncompromising remakes of out-there 1970s pedals involves phase, fuzz… and 2.1kg of chunky retro goodness.

REM’s eighth album may not have been the strident mainstream rock record many expected as a follow-up to 1991’s breakthrough Out Of Time, but it’s a refined, multifaceted masterwork that pointed the way for a generation of alternative guitar bands.

A rock ’n’ roll machine at heart with switching options that could make it the ultimate session player’s guitar.

An album that spawned entire genres, influenced countless bands and altered the course of rock ’n’ roll history has taken its deserved place in the hall of fame. But its guitar-fuelled soundscape still sounds just as avant-garde and dangerous over 50 years on from its release.

In part two of our look at the chord shapes and sequences which define Paul Simon’s sound, we focus on his early years as a solo artist.

Continuing our journey through the guitar styles of the legendary Three Kings, this time it’s the turn of Flying V-toting blue icon Albert.

In the final part of his intro to country guitar, Nashville sessioneer David Henricksson puts it all together with a pair of solos to master.

With a long career involving unpredictable twists, turns and collaborations Paul Simon is one of the most successful songwriters of the last 60 years. We take a look at the chord shapes and sequences which define his sound.