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Huw Baines
“The point is to hear something that’s musical and moves you” Margaret Glaspy on writing songs to a timer on Echo The Diamond
Five essential Nirvana tracks for guitar players
The Genius of… Real Life by Magazine
Wednesday on Rat Saw God and the importance of keeping your feet on the ground
Daughter says their focus was on parts rather than “fiddling” with gear on Stereo Mind Game
Introducing Heriot – the genre-agnostic saviours of British metal
“I wanted to not think about the vintage gear that is so fetishised and not important” Andy Shauf on making a different kind of slow-burn album
“People have told us that we’re doing everything wrong” Marissa Paternoster on why Screaming Females keep ignoring conventional wisdom at every turn
“I would just turn every dial to full and it sounds amazing” Pigs Pigs Pigs Pigs Pigs Pigs Pigs on the primordial riff roots of Land Of Sleeper
“I think we did a lot of things the wrong way” White Reaper on why following their instincts meant ditching an entire album’s worth of recordings
“To people who like pop music, it sounds harsh, but to me our songs are pure melody” how Fucked Up’s hooks set them apart from the hardcore crowd
“I threw the vinyl on and I was like, ‘Oh, fuck, I can’t wait to hear those songs live’”: The Murder Capital on their second album
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