JHS Pedals supremo Josh Scott continues his exploration of the evolution of guitar effects with the introduction of another icon of American history. Brace yourself, we’re going down river.

Drawing on their love of Laurel Canyon-era records, lead-songwriter Sam Holmes and guitarist Harry Phillips discuss taking a sympathetic approach to playing guitar and the influence of a 1960 Silvertone U1.

In the decade since Tame Impala’s debut album, Kevin Parker’s psychedelic rock project has grown into a Grammy-nominated behemoth. But back then it was just about a man, his guitar and the Indian Ocean.

As the grunge icon gets his own Master Built signature model based on his 1960 Fender Stratocaster, he tells us about his love affair with the guitar and the shock of finding out it wasn’t a ’59.

Reverend And The Makers’ guitarist goes it alone on a debut solo album that pays homage to two of his esteemed Sheffield peers yet achieves a charming elegance all of its own.

JHS pays tribute to the biggest milestones in fuzz history with remakes of four classic stompers – but they’re not quite as faithful as they seem.

Ryley Walker puts down his Guild acoustic and goes prog on album five, although dragons and magical mushrooms are mercifully conspicuous by their absence.

The new generation of Harmony solidbodies is dripping with modern retro charm, but can this compact semi take on the biggest stars?

From Metallica to Sergio Vallín, sometimes when you want to elevate your music, you need to get the orchestra in.

Looking for a good partner-in-crime for your pedalboard?

A figure who wielded his Fender Strats like Excalibur? The forefather of neo-classical shred? A believer in the mystical, wearing tights and playing old madrigals? It can only be great Ritchie Blackmore.

Many of us dream of owning a vintage Fender Stratocaster but distinguishing Relics and fakes from the real deal requires an in-depth knowledge of timelines, manufacturing processes and arcane details. Here’s our guide to authenticating vintage Stratocasters.

Annie Clark is a defiantly individual and unconventional guitar player, but her style has certain hallmarks that anyone can use to freshen up their playing.

The ‘quiet one’ did his talking with his guitar, and while the shadows of Lennon and McCartney loomed large, he more than demonstrated that he had a songwriting genius all of his own.

For our second part of his exploration of the CAGED system and how it can help you, David Henriksson asks you to dig a little deeper into those tried and tested pentatonic boxes.

Capture the dramatic, eye-catching style of the man with the polka-dot Strat in our latest blues lesson.