Thursday, August 22, 2019

Acoustic Guitars

Eastman E10OOSS/V Review

Eastman’s Antique Varnish electrics have caused a stir in these parts of late. We find out if the company’s acoustics offer a similar blend of great tone, vibe and value…

Atkin Guitars The Forty Three Review

Faux distress isn’t for everybody, but in the case of Alister Atkin’s Buddy Holly-inspired dreadnought it’s more than skin deep.

Fairbanks F20-S Nick Lucas Gold Sparkle Review

The Nick Lucas model was Gibson’s first signature guitar. Originals are highly sought after, so top-quality replicas offer a slightly more affordable option.

Guild M-20 & D-20 Review

Guild’s high-end acoustics recently found a new home in California. We test two models from Guild’s brand new USA Series.

Martin 00-17S Whiskey Sunset & DC-18E Reviews

Something old, something new… and a lot more besides. Huw Price samples two new offerings from Pennsylvania's finest.

Epiphone Masterbilt Century Olympic, Zenith & De Luxe Classic

After a hiatus of about 70 years, Epiphone is back in the quality acoustic-archtop business. They may look like relics of the Jazz Age, but these Masterbilt Century models combine deference to the past with modern convenience.

Taylor 322ce & 510e Acoustic Guitars Review

Taylors with slotted headstocks and open-gear tuners? Whatever next? Huw Price assesses a contrasting pair in our reviews of the Taylor 322ce & 510e…

Larrivée P-03Z & OM-03WW review

The new Special Edition acoustics see Larrivée showcasing some exotic wood choices. Rick Batey puts a pair of them to the test…

Andrew White Production Series review

US luthier Andrew White teams up with Korea’s Artec on affordable versions of his hand-built guitars.

Faith Naked Venus Cut review

The Venus is an all-solid mahogany cutaway with onboard electronics. Huw Price is out of the blue and into the brown…
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