Fractal Audio Systems Axe-Fx III Review
The high-end digital modelling phenomenon returns with a third version that promises significant upgrades both inside and out. Darran Charles plugs in…
Two Notes Torpedo Captor Review
The Torpedo Captor is a multi-function tool for direct recording, cabinet simulation and attenuation. Huw Price discovers cheap doesn’t necessarily mean DSP chips…
Universal Audio OX Amp Top Box Review
Universal Audio’s OX promises to be the answer to all of your attenuation, cabinet emulation and recording needs. Will you ever need to mic up your amplifier again?
Rift Amps Tweed Vee Review
Fender’s V-Front cab was so complex to construct that it outsourced production before simplifying the design and bringing cabinet building in-house.
Lazy J J10LC Review
Many discerning pro and amateur players consider Jesse Hoff’s amplifiers to be among the finest on the planet. We meet a new model that might be the best Lazy J yet…
Blackstar 10th Anniversary Artisan 10 AE Review
Northampton’s finest celebrates a decade in the game with an affordable combo inspired by the class of 2008.
Orange Rocker 15 Terror & Brent Hinds Terror Review
Twelve years on, Orange’s game-changing Tiny Terror continues to bear juicy fruit with this promising pair of compact heads.
Swart Antares Review
This boutique maker claims its new amp combines the best of its other amps in a package that’s also totally unique. Confused? We find out if Swart can keep it sweet…
Fender Hot Rod Deluxe IV & Hot Rod DeVille IV Review
Fender Hot Rods have been around for over 20 years, and 2018 sees the fourth generation hit the streets. We test the latest versions of two of the world’s most popular amps.
Blackstar HT Venue MkII Club 40 & Stage 60 212 Review
Blackstar gives its award-winning mid-price amplifier range an overhaul. We check out the new breed…