Orange Terror Bass Review
Almost 10 years on from its introduction, Borehamwood’s finest resurrects the original lunchbox bass head for 2018.
Honeyboy 30 Review
When it comes to Bandmaster-style amps, it’s true what they say: good things really do come in threes. Huw Price gets a taste of Honeyboy’s unique new take on the classic Fender circuit…
Marshall Origin 20C Review
A player-friendly update on the amps that made Marshall great, the Origin series aims to prove that vintage can be modern. Richard Purvis puts the 20-watt combo under the microscope…
Rift Amplification Hawker Review
Having forged a fine reputation building replicas of the classics, Rift is moving into the boutique market with an original design based on the best of British. Huw Price takes the Hawker for a test flight…
Fractal Audio Systems Axe-Fx III Review
The high-end digital modelling phenomenon returns with a third version that promises significant upgrades both inside and out. Darran Charles plugs in…
Two Notes Torpedo Captor Review
The Torpedo Captor is a multi-function tool for direct recording, cabinet simulation and attenuation. Huw Price discovers cheap doesn’t necessarily mean DSP chips…
Universal Audio OX Amp Top Box Review
Universal Audio’s OX promises to be the answer to all of your attenuation, cabinet emulation and recording needs. Will you ever need to mic up your amplifier again?
Rift Amps Tweed Vee Review
Fender’s V-Front cab was so complex to construct that it outsourced production before simplifying the design and bringing cabinet building in-house.
Lazy J J10LC Review
Many discerning pro and amateur players consider Jesse Hoff’s amplifiers to be among the finest on the planet. We meet a new model that might be the best Lazy J yet…
Blackstar 10th Anniversary Artisan 10 AE Review
Northampton’s finest celebrates a decade in the game with an affordable combo inspired by the class of 2008.