Gear of the Year 2018: Premium pedal nominees

Here are our eight nominees for the best premium pedals over £185 of the year.

alpha haunt OBNE

Yesterday we took a look at the best affordable pedals of 2018. Today, we’re venturing into the high-end side of things. From a ‘soundscape generator’, to an unconventional fuzz/EQ, to a Swiss Army knife of a booster, these are the best premium pedals of the year.

The actual winner will be announced in our January issue, so keep an eye out for that. In the meantime, here are the nominees:

EarthQuaker Devices Westwood

The tastefully squished attack and cool sensitivity of the Westwood make it as addictive as it is versatile, and in A/B tests with a whole bunch of other high-class overdrives – using a variety of guitars and amps – it has an uncanny knack of coming out on top for sheer likability.

It’s sweet, smooth and responsive with a superbly effective tonestack. Definitely some sort of overdrive perfection.

Read our full review here.

Beetronics Royal Jelly

beetronics royal jelly

Rather like a honeycomb, the Beetronics Royal Jelly is absolutely full of sweet spots, with the pedal’s ability to blend in your dry sound being perhaps the sweetest morsel of all, unlocking an almost limitless capacity for nuanced, satisfying tone-sculpting.

Read our full review here.

Old Blood Noise Endeavors Alpha Haunt

alpha haunt OBNE

The Alpha Haunt is an all-in-one fuzz with an unconventional approach to EQ. The fuzz effect is exactly how it should be: full and smooth, and running all the way from a gentle ‘furring up’ effect to a totally immersive cloud of rich, honeyish noise. The EQ sliders allow precise tailoring of treble and bass content, while the mids can be scooped right out or pushed into the sort of honkiness that would cut through the mix in a brass band.

Read our full review here.

Meris Polymoon Delay

This is a new entry in the ever-expanding field of what we’ll call ‘soundscape generators’. The Meris Polymoon is a ‘super-modulated delay inspired by cascaded rack gear’ – meaning it’s a digital stompbox that’s been designed to sound like plugging your guitar into an irresponsibly long chain of studio processors, asking the rest of the band to retreat to a safe distance and then turning all the knobs to full.

Read our full review here.

Jackson Audio Prism

The Prism is an extremely high-quality pedal that, with its combination of solid tones, encourages you to play better and enjoy the creation of every note to the full. While it’s targeted at an increasingly crowded marketplace, this needn’t detract from the fact that the Prism is an impressive debut from a new company that lives up to the ethos with which it was founded.

Read our full review here.

Stone Deaf Syncopy

The Syncopy is a complex pedal, and not all players will appreciate its microscopic level of control over every variable of wobbliness you could want, but it’s great to have such tools available in an analogue delay – especially one that’s UK-built and, compared to most of its obvious rivals, quite affordable, too.

Read our full review here.

Thorpy The Dane

With The Dane, the fun really kicks off with both overdrive and boost engaged, for a sound that screams ‘classic rock’ even if you’re playing Aphex Twin covers in a ceilidh band. Dynamics still sound open and natural, and you can get a softer, sweeter but no less musical version of that stadium-ready tone just by backing off your guitar volume to around halfway. Considering it only has five knobs and two footswitches, there’s really not a lot that this thing can’t do.

Read our full review here.

Fuzzrocious Cat King

At its most basic, this pedal is a low-to-high gain distortion unit with two distinct distortion modes. Now, this is not a dual-channel set-up, nor a cascading gain stage – you can set two differing distortion levels on the Cat King, giving all manner of crunch/distortion options with real ease and simplicity. There’s also a little sting in the tail courtesy of the feedback knob and dedicated footswitch.

Read our full review here.