“Learn not to attach your personal sense of value or self-worth to your playing”: Alex Skolnick

Testament’s six-string aficionado talks about the music that started him on his lifelong love of the guitar, his secret penchant for jazz and be-bop and convincing airport security that his wah pedal was not a suspicious package.

The moment it all started

“I always loved music as a kid, especially The Beatles and rock from the 1950s, such as Chuck Berry and Jerry Lee Lewis. Once I saw pictures of KISS and heard their music, I decided had to play guitar. I was 10 years old.”

I couldn’t live without my…

“I have a 1976 Gibson L5, it’s blonde and similar to models played by Wes Montgomery and also Scotty Moore. It’s a bit ironic, since it rarely leaves the house and I don’t use it for tours and recordings. But it’s one of my favourite guitars to play at home.”

The one that got away

“While still in my teens, I had a cherry sunburst Les Paul that I consider my first ‘real’ guitar. A few years later, leaning towards Ibanez, Jackson and other then ‘modern’ guitars geared toward more technical playing. I sold that Les Paul to make room for instruments that felt more right for ‘shred’. Later I rediscovered the greatness of the Les Paul, its tone and timelessness, every bit worth the extra effort to play fast on. I’ve since picked up a couple great ones, but always wished I kept that first one.”

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My signature model

“I have one and it’s made by ESP! I wanted a guitar that captured the sweet tone of the best Les Pauls but also has an ease of playing that players who are more used to thinner designs can enjoy. So, whether you lean toward the bluesy-ness of a Warren Haynes or the shred of a Jeff Loomis, this guitar can work for you. The ESP Alex Skolnick or the LTD AS1.”

The first thing I play when I pick up a guitar

“Lately, I try to imagine a groove in my head. Not a fast one, just mid-tempo, maybe funky. I’ll play bluesy and/or jazzy licks with pull-offs, slides and bends, keeping in time. It’s a good way to warm up and not play too much too soon.”

The best advice I’ve ever been given

“’Who you are as a person is completely separate from how you are sounding or what level of proficiency you’ve reached on your instrument. Learn not to attach your personal sense of value or self-worth to your playing.’ This is something I read in a book by a great pianist and educator Kenny Werner, called Effortless Mastery.”

My Spinal Tap moment

“I’ve had many! Some of my favourites involve going through airport security and having musical gear in my bag that the agents don’t recognise. One time I got questioned about an M-Box, an early interface for Pro-Tools. They thought it looked like an explosive device and had to call the Department Of Homeland Security in Washington DC. Another time, a fellow couldn’t understand my wah pedal, so I asked him if he was familiar with the theme from Shaft by Isaac Hayes, which he was. Right there in line, I started playing air guitar and mouthing the sound of the wah-wah.”

My guilty pleasure

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“There is an occasional mega-pop hit that I won’t purchase but secretly enjoy when it comes on… Currently that’s Old Town Road by Lil Nas X.”

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Good morning! (Belated). Here’s part of today’s warmup (in sweats and all), combining multiple goals: 1) Improvising with a mode I need work on, in this case, one of the modes of melodic minor (but not the main one. Any guesses?) 2) Creating a groovy loop on my own that’s fun to play over and can apply to this and other modes. Bass is played by yours truly here ( I can hold it down for bit while tracking but for the live gig, please call one of my funky friends) 3) Finding new sounds with gear I need to brush up on: in this case, @ikmultimedia’s Amplitube for Mac. While demonstrating it to a friend, I got reminded how much there is to explore. This tone, all tracks/tones entirely from #Amplitube (except drum via @toontrack). _ 4) Play a guitar I haven’t played in a while. In this case, my 1960 GoldTop (Ok it’s a decades old reissue. I do ok, but don’t have the resources of a few friends who have the real things – sometimes worth as much as the houses they’re kept in)..I thought this ax would lead to 60s blues (Green/Bloomfield etc) but somehow things took a turn towards Scott Henderson/Mike Stern territory (Maybe this could evolve into a Tribal Tech or electric Miles tune?) 5) Most important: finding the right energy to explore/develop a theme without losing the “story.” Full disclosure: A couple times I had to remind myself that this isn’t “Into the Pit” Howver there are a couple licks where you might hear a connection to licks that have found their way into the metal stuff. This type of electric improv is a source of all that). _ Any questions- I can’t answer now but feel free to ask in one of my online appearances, such as tonight’s w @johnnybeane (just look up “Johnny Beane TV” on FB or YouTube). – Ok, All warmed up now..Back to work 👋🏼

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I’m in the band

“I would’ve greatly enjoyed being in one of Miles Davis’ electric bands, especially the late 60s and early 70s line-ups who played on Live at the Fillmore.”

If I could just play one thing

“I would love to be able to play Segovia-like classical guitar or proper Flamenco. While I can and do borrow a bit from those styles, I’m a picker and hybrid-picker and pure finger-style is just not in my wheelhouse.”

Testament’s new album, Titans Of Creation, is out now.

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