Andy Price

Driven by the interplay of three remarkably talented guitar players, Radiohead’s back catalogue swells with brilliance.

Kicking back against the encroachment of nu-metal and pop-punk in the early 2000s, Echo Park was bursting with Feeder’s strongest anthems.

Expanding outwards from their polyrhythm-driven debut, Foals’ exquisite second album presented a bold vision of what 2010s indie could be.

Graced by the melodic touch of Johnny Marr, The Cribs’ fourth record spotlighted the maturing musicianship of Wakefield’s favourite siblings.

Interpol’s guitarist-in-chief Daniel Kessler on the band’s seventh album, working remotely, and finalising The Other Side of Make-Believe with the insight of Alan Moulder and Flood.

Tipping the balance of the garage-rock revival back towards the UK, The Libertines’ debut still sports the essence of Britain’s punk and indie heritage.

Uncompromising in its ambition, Coheed and Cambria’s latest entry in their multimedia Amory Wars concept is an imperfect feast of abrasive energy, labyrinthine guitar and convoluted fantasy.

Beckoning a halcyon summer via their most infectious set to date, a leaner Foals eradicate post-pandemic woes with an eruption of vibrant sonics.

Recently marking four decades as a creative partnership, Prince’s chief collaborators Wendy and Lisa reminisce about crafting many a timeless track, and celebrating the legacy of one of music’s most towering figures.

Freshly spruced up from the original source audio, Prince’s exhilarating 1985 Syracuse show is now available to savour with refined sonic detail. Capturing the Purple One at his most triumphant.