Gary Walker

Music

Fontaines D.C. – Skinty Fia review: a band brimming with ideas and a boundless horizon before them

Ireland’s most electrifying band in decades find inspiration in life away from their homeland on their third album in four years.
Music

Kurt Vile – (watch my moves) review: Another dreamy alt-rock treasure

There’s no place like home for Philadelphia’s Kurt Vile on his major-label debut.
Music

Midlake – For The Sake Of Bethel Woods review: A comeback album to cherish

Following a nine-year hiatus, Texan folk-rockers Midlake return for an unexpected fifth album. Is this the stuff of dreams?
Music

Bodega – Broken Equipment review: The band expand their palette in this thrilling musical tour of New York and its history

The New York art collective regroup for a second album that wears its influences proudly on the sleeve of its vintage leather jacket.
Music

Buzzard Buzzard Buzzard – Backhand Deals review: an invigorating blast of 70s power-pop

The Cardiff four-piece pay homage to their classic-rock heroes on a quick-witted and resolutely unpretentious debut album.
Music

Metronomy – Small World review: Joe Mount dares to be an optimist in the band’s brightest record in years

After half a dozen albums of askew electronic pop, Joe Mount slows things down for a seventh Metronomy record that’s all about appreciating the simple things in life.
Music

Alt-J – The Dream review: the Leeds lads’ dreamy fourth is their best since their debut

The Yorkshire trio tackle love, loss, murderous revenge, cryptocurrency and Coca-Cola on their first album in five years.
Music

​Black Country, New Road  – Ants From Up There review: A career-shaping record of ferocious creativity

The London seven-piece become six and squeeze in a second album in just under a year, lighter but no less captivating than their first.
Music

Miles Kane – Change The Show review: A snapshot of a songwriter coming of age

The Last Shadow Puppets co-founder finds a new maturity in his writing on solo album number four, while leaning heavily into his love of Motown and Northern Soul.
Music

Elvis Costello – The Boy Named If review: Spiky, supremely melodic and vulnerable in equal measure

A 32nd studio album from Elvis Costello finds the Jazzmaster addict reflecting on his boyhood.
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