Friday, April 19, 2019

Acoustic Guitars

Breedlove Frontier Concerto E

Breedlove’s Concerto body shape was designed to match the tonal punch of a dreadnought, but be more comfortable to play. James Stevens explores an all-mahogany version.

Art & Lutherie Legacy Tennessee Red Review

Combining believable vintage looks with modern production techniques, this mid-sized acoustic offers the best of both worlds. James Stevens investigates…

Taylor Builder’s Edition K14ce with V-Class bracing Review

Taylor’s V-Class bracing is a seismic shift in acoustic construction that promises more volume, great tone and improved intonation.

Lowden S50 Sinker Redwood Review

To celebrate three decades in business, Coda Music commissioned a limited run of 30 Lowden acoustics. Huw Price tests one of the Downpatrick company’s finest…

Art & Lutherie Roadhouse Review

This new parlour guitar blends tone and playability with a vintage vibe and bargain price. James Stevens gets his blues on…
Taylor 712e 12-Fret

Taylor 712e 12-Fret Review

Taylor has updated its popular 700 Series acoustics, refining the range’s looks and tweaking the designs for a more powerful voice. We saddle up the 12-Fret model…

Eastman E10OOSS/V Review

Eastman’s Antique Varnish electrics have caused a stir in these parts of late. We find out if the company’s acoustics offer a similar blend of great tone, vibe and value…

Atkin Guitars The Forty Three Review

Faux distress isn’t for everybody, but in the case of Alister Atkin’s Buddy Holly-inspired dreadnought it’s more than skin deep.

Fairbanks F20-S Nick Lucas Gold Sparkle Review

The Nick Lucas model was Gibson’s first signature guitar. Originals are highly sought after, so top-quality replicas offer a slightly more affordable option.

Guild M-20 & D-20 Review

Guild’s high-end acoustics recently found a new home in California. We test two models from Guild’s brand new USA Series.
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