Novo Guitars Serus T review

Dennis Fano left the company that bears his name to found Novo Guitars. We sling on the first example to land in the UK.

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Dennis Fano is a name that you will doubtless recognise from its association with Fano Guitars, the company he founded in Pennsylvania that went on to become part of the Premier Builders Guild, alongside the Tone King, Two-Rock, b3 and Koll brands. Although Fano Guitars continues to produce Dennis Fano-designed instruments in California, the man himself recently parted company with the organisation and launched a new company – Novo Guitars.

“It wasn’t an easy decision to make,” admits Dennis as we interrupt his busy pre-NAMM building schedule to quiz him about the birth of his latest venture, named after a Latin word that means to make anew or refresh. “Management was taking the company in a direction that I did not agree with and our goals and priorities were no longer aligned, so it was time for me to move on.”

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Novo Guitars are available exclusively in the UK via Coda Music and, true to form, Dennis’s first batch of new models are fusions of vintage inspiration and modern, player-friendly pragmatism. This Serus T is, at the time of writing, the first example to land on these shores, and its collision of influences is something that Fano is “very excited” about:

“I see bits of my past in it and the progress I’ve made along the way. I’ve been a sucker for offset bodies ever since I got my ’66 Jazz Bass back in ’85. The majority of my designs over the years have had one foot in the middle of the last century and the other rooted firmly in the present.”

With a pronounced grain visible through the moderately distressed, thin blonde nitrocellulose finish, the Serus T’s slab body might fool you into thinking it’s lightweight ash, but in fact it’s hewn from tempered red pine.

“Tempering is a highly scientific drying process that the wood undergoes to make it lighter, stiffer and more stable than the industry-standard kiln-dried wood,” says Fano. “Tempered wood is more resonant and has a longer natural sustain than kiln-dried woods. The finished weight of the instrument is something that has to be considered before you start building – keeping a close eye on the weight of the raw lumber is crucial.”

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The neck is another section of tempered wood; this time, it’s maple, with a chunky C-shape profile that feels like a slightly fuller version of Fender’s transition-era neck. It’s fairly slim behind the first fret, but quickly fills out to a rounder C by the time you reach the fifth. “I think this is the perfect neck for the player who likes a little more meat than an early-60s Strat neck, but not quite as much meat as a 50s Tele or LP neck,” says Fano.

There’s an obvious Telecaster influence to the electronics, with a four-way switch granting access to an extra series, humbucking mode in position four, in addition to the usual bridge/both pickups in parallel/neck selections.

Amalfitano is the pickup brand of choice here, and though the neck unit appears to be a P-90, that isn’t the case: “The neck pickup is something Jerry calls a P-45,” Fano explains. “It’s constructed like a P-90, but it only has one bar magnet instead of two. It retains some the sonic characteristics of a P-90 but it’s more articulate. The output is reduced, so it balances well the Tele-style bridge pickup.”

In use

Dennis Fano is quite right to be excited about this guitar, and you should be too. The acoustic volume and resonance is remarkable and the overall feel is of an instrument that’s highly expressive, with no aspect of its expert design getting in the way of the business at hand.

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As you might expect from a guitar with a pine body, it’s very light – especially compared to an alder-bodied Jaguar or Jazzmaster with similar physical proportions – but despite the larger-than-average headstock, the combination of the shape of the upper horn and ingenious strap button placement means it balances in a really natural playing position on a strap with no neck dive whatsoever, whether you sling it high or low.

The neck is simply a work of fine art: its wonderful shape and the compound fingerboard radius combine to ensure that playability is easy all over the fretboard. Huge, high-register bends are as comfortable to execute as cowboy chords, and the hand so naturally curves around the profile that you’ll have to force yourself to put down this guitar.

The ageing isn’t simply an aesthetic conceit, it is conducive to fretting-hand comfort: much of the gloss at the rear of the neck has been stripped back to a deliciously silky finish, and the rosewood board edges have been lightly rolled for an authentic `old guitar’ feel, albeit without any sense of struggle from a player’s perspective.

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The relatively slim Jescar fretwire is excellent, too. Dennis has got all of the little things that matter right, and the Serus T is a joy to play as a result.

The Amalfitano pickups are airy and very old-sounding – there’s a sophistication and edge-of-microphony complexity here that is very much in the Fender camp, with hints of Tele and Strat, but that has an individual voice of its own in that wonderfully smoky-yet-snappy series position.

The bridge unit is delightfully raunchy, with loads of the right treble frequencies, so there’s grit, grind and fireworks but it never becomes overly brittle.

As aesthetically and sonically pretty as it is explosive, to say that we’ll be sad to see the Serus T go is an Olympic-level understatement; this is the closest we’ve come to flexing the credit card in the direction of a new guitar in a good few years. Dennis Fano knows how to make a guitar, alright.

Key features
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Novo Guitars Serus T
• Price £2,099
• Description Offset solidbody double-cutaway electric, made in the USA
• Build Tempered red pine slab body, bolt-on tempered maple neck with compound 9.5-12” radius rosewood fretboard, 21 frets, Jescar 6125 fretwire, bone nut
• Hardware Gotoh T-style bridge with 3x compensated brass saddles and vintage-style machineheads
• Electrics Amalfitano TP bridge and P-45 neck singlecoil pickups, four-way blade pickup selector switch, master volume, master tone
• Scale Length 25.5”/647.7mm
• Neck Width 41mm at nut, 51mm at 12th fret
• Neck Depth 21.8mm at first fret, 24.1mm at 12th fret
• String Spacing 35mm at nut, 53mm at bridge
• Weight 7.4lb/3.3kg
• Finishes Distressed Blonde (as reviewed). Numerous options available, including a large selection of tempered tonewoods, neck carves, fingerboard radiuses, pickups and finishes. See website for details
Contact Coda Music 01438 350815
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