“There’s something so sexy about guitars and that world in general”: Ben Crowe of Crimson Guitars

We visit Crimson Guitars and talk old-school luthiery, prog legends and digital love with its head honcho.

Crimson guitars

All images: Joe Supple & Chris Vinnicombe

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Based in an old dairy in the pleasant surroundings of sleepy rural Dorset, Crimson Guitars is no ordinary guitar company. Headed up by master luthier and founder Ben Crowe, Crimson has been designing and hand-building distinctive guitars for 14 years now, but a key distinction between the brand and other boutique operations is that Crimson also offers a range of guitar building, maintenance and repair training courses, and it also manufacturers and sells its own luthiers’ tools. The company was also quick to embrace online video and has built a 100,000-strong community on YouTube.

Crimson currently manufactures around 20 instruments every month and they can be found at several major retailers including GuitarGuitar and Absolute Music

“I’ve always wanted to build things,” recalls Ben when we ask how it all began. “I realised quite rapidly that I was never going to make a living playing guitar.

I just didn’t have what it takes. I’d always been playing around, chopping headstocks off instruments, customising and repairing and I thought, ‘If I can’t make a living playing guitars I still want to work with the things’. There’s something so sexy about guitars and that world in general… I thought!”

Baroque & roll

Having made the decision that luthiery would be his vocation, Ben’s first formal training in instrument making began by winding the clock back several centuries. “I ended up sort of conning my way onto a course building baroque instruments,” he remembers. “It was seven miles away from where I was living in Chichester at the time, and they must have been short of a placement or something. I got one of seven slots at this particular college on a three-year course building baroque instruments. And I realised that I really don’t enjoy building baroque instruments!”

It didn’t put him off, though: “I fell in love with using hand tools and with the proper craft side of things – there’s a difference between using that level of tools versus a CNC machine or even a router and a bandsaw. But, through all of that I always wanted to build electric guitars.”

All that said, there were certain principles that were transferable from the baroque world into electric guitar-making: “The final fit and finish, especially on a production guitar, is one of the most important parts of it,” Ben affirms. “You can choose the wood, and I know that this type of wood is going to sound good, pretty much whatever I do to it, as long as my joints are good, it’s going to sound good. The last five per cent of what I do as a luthier is the first thing that the customer will see, and that’s what I learnt specifically in the violin world.

“I would spend three, or four, or five days working on the final carve for a viola da gamba top and you scrape a quarter of a mil off and bend it and put it back together and do more scraping… it’s all about touch and feel. That level of quality and that level of meticulousness has transferred over to everything that we do now. Be it the design of the business itself, or the instruments, I’m a little bit anal!”

Christopher Owen: Master Luthier and teacher at Crimson Guitars

“There’s a certain amount of insanity in anybody who starts a business,” Ben grins. “From day one I thought I was going to take over the world! Absolutely! We’re going to have the biggest guitar factory in Europe and we’re going to make thousands of guitars! And this was me in a really, really shitty shed at the end of my garden with spiders dangling down from the ceiling! Even back then I thought, ‘Yeah, we’re going to do this’. And quite luckily, because there’s a lot of luck involved, we are now achieving some of the things I’d hoped for.”

See you in the court

Crimson’s growth in the physical world of sawdust, tonewood and hand tools has been mirrored by the company’s impressive online footprint. Surprisingly, Ben’s inspiration for his digital strategy came from an encounter with progressive-rock royalty. “I was very lucky. Very early on I met Robert Fripp,” he explains. “When I was brainstorming the name for Crimson Guitars, King Crimson came up on whatever music TV show I was watching at the time and I thought, ‘Ooh, Crimson, nice… strong… powerful… good for a logo, it’s red!’ So that was the name.”

Just one example of the gorgeous tonewoods at Crimson’s disposal

Coincidentally, two or three months later, Ben’s business mentor from the Prince’s Trust happened to mention that he had grown up with Fripp. After an initial introduction, “I met him and started repairing some instruments for him and then he commissioned a guitar. My favourite thing he ever said was, ‘Ben, the luthier is the rockstar’s rockstar. Go away and build me a guitar, whatever you want.’ And I built him a guitar and it was all wrong! ‘Now go away and build me what I want!’”

For Ben, Fripp’s approach to the internet proved as much of an inspiration as his guitar-playing: “He has a blog. He takes photographs almost every single day and puts them out there on his website. And I saw that, and he has so any people who follow that, and I started doing the same thing. I started taking photographs, 30 or 40 a day, of whatever I was building, and they would go out through Twitter and Facebook and Tumblr and all of those things.

One of Crimson’s Raw Series Descendant models in a state of undress

“While looking at the numbers of people who were coming to learn how to build guitars because I was documenting it, I was thinking, ‘Okay, what’s the next stage? How do I get these people to buy something from me?’ Because most of them are hobby builders who can’t afford or don’t want to buy a guitar, they want to build their own.

“YouTube was three or four years old at that point and people were saying, video is the next thing, we’ve finally got the bandwidth to utilise the internet for streaming purposes. And obviously guitar making is the only thing anybody wants to watch on video on the internet! And that was it, I thought, ‘I’m going to learn how to make video’.”

L-R: Crimson’s Raw Series Descendant (£1,595), Masterbuilt ‘The Mutineer’ (£4,195) and Custom Shop Descendant in black-stained, flamed ash (£1,895)

After videos promoting Crimson Guitars helped generate more orders than Ben could physically make, the company quickly expanded and now has around a dozen staff on the payroll. “I always thought that I was going to be in the workshop, in the dust, and not in an office dealing with things,” admits Ben.

Happily the company now includes managing director James Blackburn along with a director of operations, accounts manager and media manager, taking care of daily business, freeing up Ben to spend more time prototyping, experimenting with finishes and working with his beloved tools.

“I want to make things, I don’t want to be sitting behind a bank of computer screens,” Ben insists. “I am a craftsperson, I am a maker.” And long may the guitar-making continue.

Visit crimsonguitars.com to find out more about the company’s instruments, luthiers’ tools and guitar-building courses, which start at £210.

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