Interviews

Beginner

These are Chris Buck’s five top tips for better blues-rock guitar playing

For someone still so young, it feels like Chris Buck has been around for a long time. Indeed it was all the way back...
Features

Guitar Tales: Meet Favour Richards, the Nigerian luthier making a name for herself in the world of African guitar making

In his latest column, Deo Slavator meets Favour Richards, a Nigerian guitar-maker who learned her craft through YouTube and wants to give something back.
Features

Introducing Sorry: The London band combining rock with hip-hop and R’n’B

Sorry guitarist Louis O’Bryen on relic’ing his Strat, living in London, and the band’s sophomore album Anywhere But Here.
Features

“I think if I stop and analyse things too much, it could fuck it all up” – Greg Anderson on his collaboration with Petra...

Devotional, Anderson’s second record as The Lord, melds massive, thundering guitar drones and Haden’s eclectic improvisations.
Features

Bossk’s Alex Hamilton on the joys of riffs, Matamps and tuning to double-drop F#

The post-sludge guitarist also hints at what’s to come with the follow-up to Bossk’s excellent Migration.
Features

“We were little pieces of shit”: Polyphia on teenage fame and making music with Steve Vai

Genre-fluid instrumental prog-metal act Polyphia have made their name by not giving a damn. Tim Henson tells us more.
Features

“I feel like I can do almost anything with a Telecaster” – John Osborne of Brothers Osborne on how Fender’s American Vintage II stacks...

The country guitarist and vintage Tele enthusiast dives into Fender’s most exacting replicas yet.
Features

“If you ever want a really weird guitar, and you don’t know anybody else that has one, Dweezil Zappa will have one” – Bush...

The alt-rock greats return with a vital, positive new record full of explorative new sounds.
Features

Alter Bridge on their lack of mainstream recognition, 15 years of Blackbird and why they need a gimmick

Mark Tremonti and Myles Kennedy look back on their greatest guitar moment, the Creed hangover that hampered their success, and why they’re happy not being the coolest band in the world.
Features

“It’s a weird kind of public therapy, writing songs”: A.A. Williams on self-discovery, merging guitar and cello, and her new album

Post-classical composer AA Williams on fusing metal and strings, her Explorer Gothic, and her new album As The Moon Rests.
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