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“We have this thing in us that we need to excavate and work on together” Mannequin Pussy on embracing positivity together in a bleak world
Ukraine’s Roman Bulakhov on balancing jazz and rock, working with D’Angelico and making music in the face of an invasion
Yard Act’s Sam Shipstone on disturbing the hornets’ nest and his love of Leo Fender’s MFD pickups
Laura Jane Grace on the “true measure of a guitar’s worth” and her new solo album
Squirrel Flower on why dynamics matter: “I don’t like guitar music that’s just loud the whole time”
How The Callous Daoboys went from blowing stimulus checks on guitars to being the new face of mathcore
“I don’t think you have to be young and depressed and doomed to make great art” HEALTH on rejecting labels and finding the fun in noise
How The Last Dinner Party embraced individuality to become the band everyone’s talking about
Jordan Adetunji is the Oli Sykes-tipped KennyHoopla-supporting alt artist ready to rock ‘n’ rave
How Sleater-Kinney have “embraced, protected and preserved that strangeness” for 30 years
Refreshed with a new line-up, Fever 333 are bringing their “fullest selves”
“I was hoping not to get cancelled”: Unprocessed’s Manuel Gardner Fernandes talks cyberbullying and new album ‘…And Everything in Between’
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