Interviews

The former jazz student tells us how her love of Kandinsky inspired her painterly approach to assembling and designing unique guitars from her studio in Katonah, NY.

The guitarist on why their new archive collection marks a special milestone in the history of the the New York experimental icons, and why the Jazzmaster was the ultimate Sonic Youth guitar, but he’s recently been preoccupied with Casinos.

Recorded at Real World and accompanied by an in-depth documentary, McKeon and his band reimagine his recent New Morning record with passion and sincerity.

We catch up with guitar god Slash to ask whether his main project is Myles Kennedy and the Conspirators or that other band.

We chat to Joe Satriani about his new album, his SansAmp plugin, and why he’ll never go all-digital.

Gibson has teamed up with Amythyst Kiah and Celisse Henderson to celebrate the legacy of Sister Rosetta Tharpe, known for playing a dazzling ’61 Les Paul SG and inspiring the likes of Elvis Presley and Muddy Waters.

Adam Johnstone and Fergus Sinclair discuss the versatility of Fender offsets, the importance of jamming and “finding that middle ground between Crass and Dionne Warwick”.

Bodega frontman Ben Hozie talks guitars and Broken Equipment.

We chat to acoustic extraordinaire Molly Tuttle about her new album Crooked Tree.

The in-demand session player talks Jim Hall and Richard Thompson, breaking in his new Harmony Silhouette and using an EBow on acoustic guitars.