Joe Bonamassa has dropped some six-string wisdom, saying it’s “It’s the note within the note, the little subtleties that make a pro a pro”
Speaking to Glide Magazine about the record, Bonamassa got deep about guitar technique, explaining what he listens out for when listening to a guitar player.
“I think developing your own tone is difficult. It’s not hand-eye coordination, it’s muscle memory and it’s strength in your hands,” he said.
“When you hear someone that has been doing it for a long time, you know that person knows what they’re doing, cause they have control over every aspect of the instrument. The instrument doesn’t control them. That’s what you look for in a great guitarist.”
Bonamassa also admitted that he wasn’t big on music theory chops, saying that not relying on the “rule book” helps prevent him from getting stuck in his own head.
“I’ve avoided really learning music in the sense that I don’t know music theory,” he said. “I know enough to get in trouble and I know enough to play in the right key, but as far as music theory in the sense that I can’t tell you what an augmented thirteen chord is, but I can play an augmented thirteen but I’m unaware of it.”
When asked about writing, Bonamassa revealed that he often approaches songs from the lyrics first, stating: “it’s just a hard thing to come up with a riff and then sit down and, well, what do I want to say?”
“I like to start with a title and I like to start with verses or a chorus and then make something out of it. I find those songs turn out better for some reason,” he said. “To me, you’ve got to have a killer title or some sort of chorus going first. So I write lyrics first, chorus, verse, and then the riffs come.”
For more music news, click here.