In the second part of our Paul McCartney lesson we head into a world of moving basslines and slash, seventh and diminished chords as a songwriting genius broadens his horizons.
Continuing our look at the chord shapes and sequences used by The Beatles, we get inside the head of Paul McCartney and find a songwriting genius with an enthusiasm for minor chords and chords from outside the key.
Half a century after his first self-titled solo volume, and 40 years on from the synth-heavy second entry in the series, Paul emerges from ‘rockdown’ with part three
