The guitarist and band leader on why he’d hate to be called a pedal collector, cutting loose for the first time on record, and the €20 flea market instrument that became a huge part of Public Service Broadcasting’s new record, Bright Magic.
The Dinosaur Jr main man on bringing out a signature Telecaster with Fender, how he feels about the grunge label 30 years on, and why he’s never going to get his head around Spotify.
The late Pantera guitarist's estate accuses Dean of filing "unauthorised and fraudulent" trademarks for Dimebag guitars, and being "incredibly disrespectful" of his legacy.
Cheltenham-based Monty’s Guitars spent a full year restoring the megastar’s prized Eric Clapton Martin after it was damaged in a studio fire. We caught up with head honcho Matt Gleeson to find out more about how this “crazy” idea became one of his proudest moments to date…
The AFI guitarist on how he turned Bodies’ year-long delay into something productive, his love of Les Paul Studios, and why the Beatles would be using amp modellers if they were still around today.
Annie Clark’s most organic album yet saw her learning to appreciate ‘wiggly lines’ guitar playing, falling in love with wah pedals, and replacing distortion with a Coral Sitar.
Reverb’s feature-length documentary about effects pedals provides a compelling rock ‘n’ roll history lesson, but its heart is the maverick geniuses who build the boxes we all love.
In the decade since Tame Impala’s debut album, Kevin Parker’s psychedelic rock project has grown into a Grammy-nominated behemoth. But back then it was just about a man, his guitar and the Indian Ocean.
